Anthony Roth Costanzo (ének) és az Orfeo Zenekar / BARTÓK TAVASZ 2022

Handel: Theodora – Overture, HWV 68

Handel: Amadigi di Gaula – Pena tiranna, HWV 11

Handel: Theodora – Trio (Larghetto e piano), HWV 68

Handel: Flavio, King of the Lombards – Rompo i lacci, HWV 16

Handel: Concerto Grosso in C minor, Op. 6, No. 8 – Adagio, Siciliano, HWV 326

Handel: Ptolemy, King of Egypt – Stille amare, HWV 25

Handel: Concerto Grosso in B flat major, Op. 6, No. 7 – Largo, Allegro, HWV 325

Handel: Rodelinda, Queen the Lombards – Vivi tiranno, HWV 19

Handel: Theodora – Largo, HWV 68

Handel: Rodelinda, Queen the Lombards – Io t’abbraccio, HWV 19

Gluck: Orpheus and Eurydice – Act II–III (Viennese version, 1762)

Featuring: Réka Kristóf [10, 11], Ágnes Pintér [11] – soprano, Orfeo Orchestra, Purcell Choir

Conductor: György Vashegyi

Musical America’s 2019 Vocalist of the Year, Anthony Roth Costanzo is one of today’s most compelling performing artists. The countertenor is as much at home in the world of contemporary music as in the baroque and classical repertoire. He has recently sung such iconic roles of his vocal type as Apollo (Britten: Death in Venice), the Angel (Kaija Saariaho: Only the Sound Remains), Akhnaten (Philip Glass), and Prince Go-Go (Ligeti: Le Grand Macabre). His memorable performances of Handel characters include the title role of Julius Caesar in Egypt, and Armindo in Partenope. Appearing now as a guest of György Vashegyi and his ensembles, he selects from roles that spotlight his versatility as a performer.